We name our office printers after artists.
Matisse was very slow and you can see the dots in the rendering.
Pollock was just downright messy, leaking ink all over the place.
Van Gogh would cut off every so often.
Warhol never got many print jobs, but it served as an excellent copier.
Renoir’s colors were far too bright, and it cost us a fortune.
Breughel and Bosch were a nightmare to set up and keep running.
And the less said about Mapplethorpe, the better, okay?
In the end, we gave up and sent all of our print jobs to Kinko’s.